Character Motivations and the Seven Sins

Welcome to Fiction Friday! We are currently in the middle of the Character Series. Last week I posted the Character Worksheets and included a little schpiel on the Cardinal Sins (Seven Deadly Sins). Today I’m going to go into each with a little more detail to illustrate how they can be used as a way to view character motivations. Why the Cardinal Sins? No, I’m not trying to prognosticate here. Two reasons I like this method of summarizing motivations: 1) as a part of popular culture, the idea of the seven sins is familiar to many people, both religious and wholly secular. 2) It’s a reminder that no character is a saint. Few things are more yawn-inducing than a character that is perfectly perfect.

As long as you consider the motivations of your characters, and as long as their actions come about because of what motivates them on the inside, then you can plot all you want. The problem with plotting comes when the writer plots out a story and characters start doing things because the almighty Plot told them to, not because their actions were determined by their goals, motivations, and desires.

The Seven Cardinal Sins are one way of summarizing a character’s motivations into one recognizable word. Using one of these “sins” as your character’s motivation will not limit your character or make him or her trite. The Cardinal Sins aren’t cliches, they are categorical distinctions of human nature. Any one person can have any combination of those motivations. Any one “sin” can be made manifest in a character at varying degrees of intensity.

I think it’s best to summarize each cardinal sin by its motivation and its fear. If you’d like to read more about each in detail, there’s always Wikipedia.

Pride

Motivated by self-promotion.

Afraid of ridicule and public humiliation.

CEOs, the manager with a desperate need to be promoted, narcissists, the achiever, the nuclear scientist, the know-it-all, the self-righteous clergyman.Don’t forget that Prideful people can still be introverts. They just aren’t as obviously prideful.

Greed

Motivated by wanting more.

Afraid of losing everything.

The possessive girlfriend, the power-hungry lawyer, the millionaire who’s never satisfied, the gambling addict, the obsessed fangirl.

Envy

Motivated by putting down others or self.

Afraid of no one liking them.

The person with an eating disorder, the codependent boyfriend, the host of the pity-party, the clingy friend, the girl with the lowest self-esteem, the guy who bases his self-worth on what others think, the psychological bully, the teenage frienemy.

Wrath

superman

Motivated by physical exertion (not necessarily out of anger).

Afraid of physical weakness.

The one-dimensional superhero, the jock, the Skipper, the abusive ex, the bodybuilder, the humble knight, the roller-derby champion, the gymnast.

Lust

Motivated by sexual attraction / physical appearance.

Afraid of being repulsive or unattractive.

The model, the hottest girl in school, the girl that wishes she was the hottest girl in school, the guy who loves the hottest girl in school, the porn subscriber, the Rom-Com addict, the sexual offender, the playboy, the beautician, the soap opera fan, the Chick Lit reader. (Note the varying degrees from normal to psychological disorder).

Gluttony

Motivated by an indulgence in physical or emotional pleasures.

Afraid of emptiness or depression.

The rock star, the party animal, the class clown, the over-eater, the drunk, the funny guy, the yacht club member, the extreme sport enthusiast, the drug addict, the masochist, the socialite.

I define gluttony pretty broadly. One can be a glutton for food, for pain, for fun, for adrenaline. The glutton has a constant need for enjoying the pleasures of life. The difference between Gluttony and a few other sins can be pretty gray. Lust and Gluttony both deal with pleasure. If the pleasure is sex or physical romance, then the motivation is lust. Everything else is probably gluttony. Greed wants to have more. Gluttony wants to enjoy more. A greedy person buys a yacht because it’s something else to possess. A glutton buys a yacht because it’s something else to enjoy. Subtle difference.

Sloth

Motivated by ease or leisure.

Afraid of having too much responsibility.

The cliche TV dad, the couch potato, the unemployed 30-year-old who still lives with his mother, the heiress, the basement gamer, the fry-cook with no ambition, the commitment-phobe, the hesitant person afraid of taking risks, the housewife who never gets out of her sweatpants (guilty…), the sun-bather.

Consider the fears for a moment. They might come in use for you if you want some poetic justice for a character, a humbling moment, or a chance for the character to overcome those fears and mature into a new person. Draco Malfoy’s sin would likely be pride. And sure, his racist attitudes suggest envy, because he constantly puts down Hermione to feel better about himself. But his greatest fear is humiliation. So if he were helpless and Ron and Harry happened to save his life, then Draco would be humbled and we might see a change in his character.

I’m limiting posting to once or twice a week as we prepare to move cross-country. Next week we will talk about conflict, unless y’all have any other questions about characters and motivations. Let me know!

Character Profile Worksheets

These character packets will help you organize your characters’ traits in one central location.

Have you ever written a character who had short, lustrous hair in chapter one and frizzy ankle-length hair in chapter fifteen? Okay, maybe not. But perhaps your character had gray eyes in one chapter and green ones in another. Or maybe his or her last name changes halfway through the book.

Collect all of your information together with these worksheets in lieu of scraps of paper and sticky-notes all over your office, kitchen, computer, and sister’s house. Continue reading

Story Berg and Goal Boat: A Lesson in Backstory (and Goals)

This is Part Two in the Write, Edit, Repeat Character Series.

Backstory. What’s backstory?

Backstory is whatever happened to the characters before the story starts. It’s the stuff that the writer knows (or discovers), but what doesn’t show up in the story that the reader is reading.

Backstory is the reason we have Pottermore. Rowling had so much backstory that she could make an entire interactive experience for her readers out of it. An obsessive fan base and millions of dollars to create it doesn’t hurt.

Anyway, the most logical visual for backstory is an iceberg. All the stuff under water might be interesting, in fact, it might be really really good. But if it isn’t absolutely necessary to drive the story forward, then it doesn’t need to appear above water, in the finished piece. Continue reading

Characters: MBTI continued

Last week I gave you a little “quiz” to use to figure out the Myers-Briggs of you or your characters.

This week I am giving you another little helpful chart about eight divisions of the MBTI types. As before, please see the official Myers-Briggs page here, or read more about typing on blogs dedicated to typing. Again, these are my favorites: Which MBTI Type… and  MBTI Types.

Below you will find a downloadable reference I created for the sixteen MBTI types divided into eight groups of two. I gave examples of fictional characters that, I think, embody those types. In real life, people are complex and may not fit neatly into one of the divisions. (I certainly don’t.) Fiction imitates life, so well-written characters are pretty complex, too. See my note about Hermione Granger following the images. Continue reading