How Improv Can Improve Your Writing

Wednesday on the MS Editors blog, I applied Tina Fey’s rules of improv to writing first drafts. Check it out!

You can't be that kid standing at the top of the water slide overthinking it. You have to go down the chute_Tina Fey

MS Editors

I’ve mentioned before (in 7 Tips for Writing Realistic Dialogue) that trying improv (the art of performed improvisation) can improve your writing.

Well, currently I’m reading Bossypants by Tina Fey, and in it she gives the rules of improv and describes how these rules have changed her life. The rules are as follows:

  1. Say “YES”
  2. Say “YES, AND…”
  3. Make statements
  4. There are no mistakes, only opportunities

Applying these rules to your writing will help you soldier through a crummy first draft by shutting up your internal editor. The trick is to improv against yourself.

Say “YES”

Stop arguing with yourself and start writing. Stop saying you can’t do it, or it’s too hard, or you need to learn more before you can start. Just start. Your improv partner (you) might be crazy, but go with it. In fact, craziness usually translates into energy, so embrace the crazy and hammer out that…

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Now Accepting Summer Clients!

I’ve been on a short sabbatical from manuscript editing to get my household ready for the big move, but I’ll be open for business again in June, with the possibility of some openings in May! I’ve been missing all my clients and am very happy to get off the bench.

Seven Reasons to Make Me Your Editor

I’m taking reservations for the following services:

Manuscript Critiques

What you need to know:

  • This type of editing fills up the fastest, so don’t delay in reserving your spot!
  • I read the entire MS or short story and give overall comments and suggestions
  • I do not make in-text comments, but may highlight sections
  • Average cost is $8 per 1,000 words (a 75K manuscript = 75 x $8 = $600)

For more information, see my services page.

Substantive Line Edits or Copyedits

What you need to know:

  • Depending on the level of editing you need, I edit on the sentence level and give thorough feedback which has been praised by established literary agents, authors, and colleagues.
  • I use track changes for objective copyediting and leave comments for anything subjective.
  • Average cost for line edits is $27 per 1,000 words (I have a $40 special for the first 2,500 words and $160 special for the first 10,000 words)
  • Average cost for copyedits is $11 per 1,000 words ($7 for experienced authors)

For more information, see my services page.

Query Letter and Synopsis Edits

What you need to know:

  • I’m nearly always available for these edits, but they are done on a first-come, first-served basis. As soon as you pay, you get put on the waiting list, and I get to you as soon as I can. (I’ll let you know if the wait times exceed 3 business days in our first email.)
  • You get unlimited passes on these, but priority for full edits goes to new clients, who will need more attention. If you have a quick question, though, I often reply the same day!
  • For examples of my editing style, see my query workshops.
  • Cost is $35 for either, $60 for both.

For more information, see my query workshops.


I list my exceptions (the genres and content I will not edit) here and mention my favorite genres and subjects here.

If you think we’d be a good fit, send me your 1,000-word sample. I’ll read your sample, give you feedback, and quote you a price. To reserve a spot, you’ll need to pay a 20% deposit or $40—whichever is greater.

The deposit is refundable if you cancel before our scheduled date. If you cancel after that, I’ll keep the deposit.

For example, say that you want the first 10,000 words of your work-in-progress professionally edited. You pay $40 and we schedule you for the first two weeks of July. If you cancel before July 1, I’ll refund your $40. If you cancel after July 1, and I haven’t begun editing, I keep the $40 for loss of business. If I edited 5,000 words before you cancelled, I’ll keep your $40 but give you feedback on the first 2,500 words. You’d then have the option of paying for any feedback beyond that, using the price-per-word quote we agreed on.

Does that make sense? If you have any questions, please don’t hesitate to ask.

I look forward to reading your stories and pushing you toward publication!