[Printable] Vocabulary Bookmarks

I’ve always been a collector. First it was rocks, then Hot Wheels cars, then words and names. I usually copy new-to-me words on the last blank page of the book I find them in, but that doesn’t work for borrowed books.

To increase my kids’ literacy over the summer, I created these vocabulary bookmarks that can be folded or left unfolded and printed on white, colored, or patterned paper. I was inspired by some bookmarks I found online, but I couldn’t find exactly what I wanted, so I made my own, and now I’m sharing them with you, free for personal or classroom use.

(You’ll need to print on colored paper to get this effect)

Each page fits two bookmarks. If you wanted to get creative with your copying, you can copy them front and back in landscape mode (or short-side bound). Then you’d get 4 per sheet.

For one-side copies, cut the pages in half to separate the bookmarks and then fold them along the dotted line, text out. You’ll get a bookmark that is regular sized, with page numbers and vocabulary words on the front and definitions on the back. Fold or unfold your bookmark to hide or reveal the definitions.

I grabbed a pink one for myself and have added a couple of words from Ada Limón’s The Carrying:

  • chert—the geological name for flint rock
  • toyon—a Californian shrub

Download the PDF by clicking here >>Willard’s Vocabulary Bookmarks<< or on either of the images above.

What kinds of words have you collected this summer? Let me know in the comments or find me on Twitter or Instagram @larathelark

Character Profile Worksheets

These character packets will help you organize your characters’ traits in one central location.

Have you ever written a character who had short, lustrous hair in chapter one and frizzy ankle-length hair in chapter fifteen? Okay, maybe not. But perhaps your character had gray eyes in one chapter and green ones in another. Or maybe his or her last name changes halfway through the book.

Collect all of your information together with these worksheets in lieu of scraps of paper and sticky-notes all over your office, kitchen, computer, and sister’s house. Continue reading

Naming Characters: Charactonym

This week’s word is a fun one and corresponds with the new Character Series on writelarawrite, which “aired” on Friday and will continue for as many weeks as we deem appropriate.


a name of a fictional character that suggests a distinctive trait of that character. Examples of charactonyms include Mistress Quickly and Sir Toby Belch.

Encyclopedia Britannica

Snow White is perhaps the most well-known (and obvious) charactonym, but in the fictional world, there are plenty. Take, for example, the characters in the Harry Potter series.

Harry Potter isn’t a Charactonym. If it were, the boy wizard would look like this:


But there are others. Draco Malfoy, for instance. “Draco” means dragon. The prefix “mal-” means evil or bad. Like “malicious.” He’s a mean, fiery beast. Funny, I don’t think he particularly lived up to his name…

But Sirius Black and Remus Lupin are the epitomes of charactonyms.

Sirius is the name of the dog constellation. Remus is the name of one of the twin founders of Rome, said to be raised by a wolf. The Latin name for wolf is Canis lupus.  So there you have it: Black Dog and Wolf Wolf.

Fictional characters often have unusual names. Han Solo, Holden Caulfield, Atticus Finch, Katniss Everdeen, Hermione Granger, Maximus, Door. Sometimes writers can get a bit carried away, especially in the science fiction and fantasy genres. Or the people who name Bond girls.

That’s why the protagonist of my first published short story was named “Helen James.” She’s not very eccentric, and she’s not very attractive. She’s very normal, so I gave her a normal name.

Consider what your character names mean and how they sound when spoken aloud. If you completely make them up from scratch, for the sake of your readers, make them pronounceable.

This goes for place names, too.

You can be witty without being obnoxious. A poet named “Justice” in a movie called Poetic Justice?  That makes even me groan. A cannibal named Hannibal? Remember, less is more.

Three last examples of doing this right—characterizing subtly:

Albus Dumbledore

“Albus” means “white” in Latin, “Dumbledore” is the Old English word for “bumblebee.” Dumbledore isn’t literally a white bumblebee, but the pairing of a Latin and Old English name work for him, the color white has connotations of wisdom and goodness, and bumblebees are perhaps one of the most unusual and out of place insects in all of bugdom. Also, Rowling mentioned she pictured Dumbledore often humming to himself.

Reubus Hagrid

From Jo Rowling herself:

“Hagrid is also another old English word meaning if you were Hagrid, it’s a dialect word meaning you’d had a bad night. Hagrid’s a big drinker. He has a lot of bad nights.”

The Connection (WBUR Radio), 12 October, 1999

Minerva McGonagall

“Minerva” is the Roman goddess of wisdom. McGonagall comes from the last name of the worst poet in British History, William McGonagall. The name suggests that Professor McGonagall is brilliant, but that her silly relations might be humbling to her. This pairing shows a witty irony that isn’t obvious to anyone but the writer and those to whom she declares her inspiration.

What do you think are the best and worst examples of charactonyms?

100 Funniest Words

A few years ago, Dr. Robert Beard compiled a list of the 100 funniest words he had come across in nearly a decade of daily vocabulary emails he would send to hundreds of thousands of people.

Here’s the list of his 100 funniest English words. I’ve always been a fan of brouhaha, canoodle, doozy, flibbertigibbet, hootenanny, kerfuffle, ornery, rambunctious, shenanigan, skedaddle, and troglodyte.

Which one is your favorite? Any funny words you think should be added to the list?

I’m usually in the camp that it’s better to use a majority of simple, short, old words that are accessible to readers when writing fiction. I am not amused or impressed by authors who have a love affair with their thesaurus and shove every possible multisyllabic word into their text. Once again, I am looking at you, Christopher Paolini.

But if there’s a fun word that fits naturally in the tone of the novel, throw one in every once in a while! One per scene, one per page, one per paragraph, more—you decide. Make it a word readers will circle in their books because they love it and want to use it in conversation during their lunch break. Just remember, you want to be readable, not detestable. Understandable, not put-down-able.

Less is more.

Write now.