Fifteen Blinks Introduction

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What is “Fifteen Blinks”?

Fifteen Blinks is a new series on Write Lara Write consisting of writing lessons and writing assignments. These assignments can be applied to poetry or short prose, fiction or nonfiction.

Why “Fifteen Blinks”?

The average person blinks 20–30 times per minute. However, when reading something particularly interesting, a person blinks only 3–5 times per minute. The idea behind Fifteen Blinks is that your finished piece (a “Fifteen Blinker”) should be interesting enough and short enough for a reader to read it in 3–5 minutes, blinking approximately 15 times. Rough guidelines? About 300–800 maximum words for prose, or fewer than 30 lines for poetry.

Participation

These lessons and exercises are for educational, non-profit use.

Writers—Feel free to publish any of your work that came from the exercises, because those pieces belong to you! If you include a piece on a blog, I’d love it if you’d include a link on that post back to the Fifteen Blinks post that inspired you, and I’d be even happier if you left a link in the comments of my blog to your work, so I can read it!

Educators—You are welcome to share these lessons with your students, but please do not copy or share them without including a link to a Fifteen Blinks page or the Write Lara Write homepage.

Buttons

Let people know you’re participating in Fifteen Blinks by choosing a button and copying its code (displayed below each image). Then paste the code to the bottom of your post or to your blog’s sidebar. When people click on the image, they will be taken to the latest Fifteen Blinks post.

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Mother Writers

reading

Well, in a week I’ll be finished with my last design project for a while. This won’t be a complete sabbatical, since I’ll design some stuff for my Etsy shop, I’m sure, but it is a break from commissioned work, which is rewarding, but also very, very time- and brain-consuming.

I’m also giving birth in the next month(ish), so that will take up quite a bit of time and brain power. However, I would like to take this opportunity to get back to writing, even if it’s slow going.

How & when do mothers write?

That’s something I’m trying to figure out. Apparently there’s a book on the subject? (If you’ve got tips, please share.) The more I read about writers, the more I see a pattern—if they are women, they aren’t publishing while raising very small children. But I think they are still writing and reading, and I should be writing and reading, too, even with a toddler, puppy, and soon-to-be howling, hungry infant.

The baby steps are these:

  1. Read one literary novel each month
  2. Read short fiction and poetry once a week
  3. Create and execute one writing assignment biweekly or weekly
  4. Finish one poem or flash fiction piece per month

Eventually, the idea is I’ll get up to writing 1,000 words per day (excluding blogging and status updates), and then work my way up to 2,000 words per day.

That last one could take about ten years, or until the last of our brood is of school-age. We are well on our way to becoming brunette, American Weasleys over here.

Read one literary novel per month

I’ve got a book club going, and we are working through the Newbery (US) and Carnegie (UK) Medal Winners for juvenile fiction. They are short, simple reads that are deemed literary by librarians. Good place to start.

Read short fiction and poetry each week

The idea is to get as many contemporary voices into my head as possible. The Newbery and Carnegie medals are awarded each year, so 90% of the winners aren’t contemporary writers. I probably won’t blog on these a bunch, because that will soak up my writing time, but I’ll post recommended readings (what I liked) to my Facebook page. Feel free to share your own recommended readings for short fiction and poetry there, too! I’ll also post recommended readings on my blog under the Reading and Poetry tabs. (I just added one there this morning—check out Amy McCann’s “Human Climate” via Revolver)

Writing assignments and finishing poems

In an attempt to write more poetry and short fiction, I’ll be posting weekly or biweekly writing assignments here on the blog and then completing them for myself. The idea is that by the end of the month, I’ll have at least one I can turn into something more polished. I’m calling these short assignments “Fifteen Blinks,” the idea being that, whether the piece yields poetry or prose, you could read it in about 3 minutes.

If you want to join me on these assignments, please let me know! If I know other people are participating, I’m much more likely to stick to it and keep generating writing exercises. It’s an accountability thing.

I honestly have no idea what day of the week I’ll be posting Fifteen Blinks. Mondays I’m going to try to devote to motivational works and Author Chats. It’s going to be irregular at best, so your best bet is to subscribe to WriteLaraWrite via email (see right column for sign up) or follow me on Facebook.

Author Chats: Julian Barnes

Motivation

I took Ethan Rutherford’s advice and started reading interviews and posts on The Paris Review. One of the interviews I came across was conducted in 2000 and featured author Julian Barnes. Barnes has won the Man Booker Prize once, been shortlisted for the same award several times, and has been awarded the David Cohen Prize for Literature. In the 1980s, he wrote crime fiction under the name Dan Kavanagh. One great thing about The Paris Review is that they show images of the authors’ marked-up manuscripts. Below is an image (lovingly taken from the website) of his 2000 novel Love, etc.

You can read the interview in its entirety on The Paris Review here or by clicking on the manuscript page above.

I wanted to highlight one particular passage from the interview in which Barnes talks about the writing process

BARNES—I think you should like the process [of writing]. I would imagine that a great pianist would enjoy practicing because, after you’ve technically mastered the instrument, practicing is about testing interpretation and nuance and everything else. Of course, the satisfaction, the pleasure of writing varies; the pleasure of the first draft is quite different from that of revision.

Paris Review—The first draft is fraught with difficulty. It’s like giving birth, very painful, but after that taking care of and playing with the baby is full of joy.

BARNES—Ah! But sometimes it isn’t a baby, it’s something hideous and malformed; it doesn’t look like a baby at all. I tend to write quickly when I’m on the first draft, and then just revise and revise.

PRSo you rewrite a lot?

BARNES—All the time. That’s when the real work begins. The pleasure of the first draft lies in deceiving yourself that it is quite close to the real thing. The pleasure of the subsequent drafts lies partly in realizing that you haven’t been gulled by the first draft. Also in realizing that quite substantial things can be changed, changed even quite late in the day, that the book can always be improved. Even after it’s published, for that matter. This is partly why I’m against word processors, because they tend to make things look finished sooner than they are. I believe in a certain amount of physical labor; novel-writing should feel like a version—however distant—of traditional work.

PR—So you write by hand?

BARNES—I wrote Love, etc. by hand. But normally I type on an IBM 196c, then hand correct again and again until it’s virtually illegible, then clean type it, then hand correct again and again. And so on.

PR—When do you let go? What makes you feel it is ready?

BARNES—When I find that the changes I’m making are dis-improving my text as much as improving it. Then I know it’s time to wave good-bye.

PR—What do you use your computer for, then?

BARNES—I use it for e-mail and shopping.

—”Julian Barnes, The Art of Fiction No. 165.” The Paris Review No. 157 (Winter 2000)

I much appreciate what Barnes says about the process of writing—that it should be enjoyable, because you are practicing and improving with every word. I like that he makes it very clear that the first draft is not the final product, but that you can still derive pleasure from the first draft. (I’m working on that skill.) And I like that he actually keeps on improving his drafts until he isn’t improving them anymore—it’s always difficult to know when to step back and say something is finished.

What did you think of the interview? To read more wisdom from successful writers (e.g. not me), click here for a list of Author Chats.

Author Chats: Ethan Rutherford

 

This is my first Author Chats post! I debated about which category I should file these under, and settled on Motivation Monday. Future Author Chats will be available on the Author Chats page!Motivation

Note: This post includes affiliate links. If you purchase from these links, you are supporting Write Lara Write! (I’d get about a penny per purchase.)

A few weeks ago I had the privilege of hearing Ethan Rutherford share one of the short stories about to be published in his book The Peripatetic Coffin and Other Stories.

He read “Camp Winnesaka,” a desperate camp counselor’s tale of how they lost so many campers one fateful year, while attempting to get spirits (and enrollment) up. It was a terribly amusing dark comedy, and once Rutherford mentioned that many of his stories involve ships blowing up, I decided exactly what I’d be getting my husband for his birthday this year.

Since I didn’t actually conduct an interview with Rutherford, I just listened to the reading and then briefly chatted with him about writing, reading, and being an at-home parent, I’m just going to list my notes below in a semi-coherent matter. Note that these are not direct quotes, they are paraphrases. I am no court stenographer.

On Reading

Read like a maniac and read all sorts of writers.

Recommended reading:

On Writing

Just get the draft out. You don’t know what the story is about until it’s written.

And just try to tell a good story—don’t set out to write some big, deep message.

Write about things that make you uncomfortable.

To students of writing: You ease up on yourself as you get older. It’s easier to write when you aren’t panicking all the time.

About plot and character: Ask yourself, “What kind of person would do X, Y, Z?”

On his process: Rutherford writes in the same place, at the same desk, listening to the same music playlist, to get him ready to write. He also reads up to the point where he stopped before.

On Motivation

Make a list of what gets you creative. (Mine? Reading good literature, especially poetry. Watching movies that inspire me to create new worlds. Listening to my “creative inspiration” playlists. Experiencing life, being human and being around other humans.)

Every writer’s motivation and inspiration ebb and flow in a cycle. Once you go through the cycle a few times, you’ll begin to recognize where you’re at on the cycle, and you’ll know how to get back on top of things. (I like to think of them as “rainy seasons” and “dry seasons”.)

On Being an At-Home Parent / Writer

(I didn’t take notes during our chat, but we came up with the same conclusion:) Once your kid is mobile, good luck.

Motivation

That’s all I’ve got! I’m filing this under “Motivation Mondays” also, since I’m a bit late in posting, and this fits in both categories. Take some time and find out if there are readings or book signings or author talks in your local area. It’s always a great inspiration to me to hear other people read their own stories and talk about the writing process, because each writer is so different. And don’t forget to fill your heads with different writers by constantly reading new voices. If you can’t make time to read, you certainly can’t have time to write.