Below is the seventh public query critique I’m offering up on the blog. This will happen once a month (as long as I get a response). I choose one query per month. If your query is not selected one month, it will be in the drawing for the next month. Please do not resubmit unless you’ve made significant edits. To enter, see the rules here. If you want a guaranteed critique (plus line edit) of your query or synopsis, private ones cost $35 each.
My comments are in blue below. To read the original query first, simply read the black text only.
Since you specialize in XXX, I thought you might be interested in my young adult fantasy, THE BITTERBLOODS, which contains elements of Snow White and the X-Men set in the 19th Century. This should be cut, since your query doesn’t bank on this premise. When I see “in the 19th Century” I’m picturing a real, historical 19th century setting: the Victorian era. And I’m not getting the X-men vibe at all in the following paragraphs. Just call this a “steampunk fantasy.”
In Swansea Is this your fantasy setting? Is it a city or kingdom or realm? Because it’s a city in Wales., persons with magical ability are called bitterbloods, and by the Queen’s imperial decree, they are hunted and executed without exception. Is this Queen Victoria, or a fantasy queen? Since you said it was set in the 19th century, I’m picturing a historical fantasy set in Wales.
Raised as a ward of the Crown, sixteen-year-old Sarabande would rather read a math book than play croquet or learn to waltz. Her bookish habits annoy her governess(comma) and her curiosity about bitterbloods occasionally gets her in trouble, but trouble is no worse than being sent to the Tower and having to miss royal balls and operas. This is a bit confusing. I’m not sure whether she feels like that is punishment or if she enjoys it. Just be clear. For example: “…gets her in trouble, but to her, missing royal balls and operas is more of a relief than punishment.”
However, when Sarabande discovers she has the power to heal, the Queen orders her assassination. A few things. 1) “However” doesn’t work here. This sentence doesn’t contradict the previous. Just start with “When.” 2) The Queen doesn’t order Sarabande’s assassination when Sarabande discovers her power. What specifically happens to make the Queen aware of Sarabande’s power? What did Sarabande do? An unlikely ally comes in the form of “An unlikely ally” is a cliche, but I worry more about the unnecessarily wordiness of this. Argan Blackstone, a boy who kills with a word just as Sarabande heals with a touch. Killing with a sword isn’t a power. Sarabande has a power, so he doesn’t kill “just as” she heals. Together with an
ingenious inventor and his mechanical flying horse, they must uncover the secrets behind Sarabande’s new abilities to defeat the Queen and build a future for magic in Swansea.
THE BITTERBLOODS is complete at 84,000 words with series potential.
Thank you for considering my work.
Comparing this to Snow White doesn’t help you. First, I’ve seen A LOT of fairytale retellings being pitched this past year. Second, it seems like an excuse to have a flat antagonist Queen. Why would the queen want to kill a healer? Because she has a weird law against magic that dictates everything she does (like Uther in Merlin). What does Sarabande want? To survive? If she wants to survive, why doesn’t she run away? Why is it so important to defeat the queen? Why should she build a future for magic? We know why Merlin sticks around Camelot and won’t run away—Arthur. Merlin has to use magic to keep safe someone who can never see him use it. He has to break the law to save the one who lives by it. That’s a premise full of conflict and possibility.
Having cool powers / being bookish / being an introvert isn’t enough to make me like a character. What does Sarabande want? What does her story goal have to do with her being bookish and not liking royal parties? From the first paragraph, it seems that S’s motivation is to hide. So why doesn’t she revel in exile? What changes for her?
I need to know motivation, goal, and conflict. I’m getting hints of those here and there in this query, but none of them seem to fit together. Her motivation is to be alone so she can reach her goal of reading math books, but the queen wants her killed? That isn’t drama, it’s a disconnect.
Let’s say that the X-Men comparison does work for your novel. Then you start with Sarabande learning she has powers. Everything before that is setup. “When bookish Sarabande [does this], she [discovers she has a power]. And her guardian the Queen [has this motivation, so she wants Sarabande killed].” That’s conflict. Then give us Sarabande’s motivation and goal, which she probably discovers through her new friends, and show us obstacles (the queen’s response).
I need to see a clear C+O+G in this query.
I’m posting a guide to writing queries immediately after this post. Read the WATCh post, determine which kind of novel THE BITTERBLOODS is, and then read similar queries to get some ideas for your own. Then resubmit to me, and I’ll edit your revision.
Best of luck! Once you get this started in the right place, I think everything will fall into line nicely. You can do it!