Author Chats: Interview with Jackie Lea Sommers

Jackie Lea Sommers‘ debut novel, Truest, is available for preorder! Find it at your local independent bookstore, Barnes and Noble, or Amazon.

About TRUEST:

A breathtaking debut brings us the unforgettable story of a small-town love, big dreams, and family drama.

Silas Hart has seriously shaken up Westlin Beck’s small-town life. Brand-new to town, Silas is different from the guys in Green Lake. He’s curious, poetic, philosophical, maddening—and really, really cute. But Silas has a sister—and she has a secret. And West has a boyfriend. And life in Green Lake is about to change forever.

Truest is a stunning, addictive debut. Romantic, fun, tender, and satisfying, it asks as many questions as it answers. Perfect for fans of The Fault in Our Stars and Ten Things We Did (and Probably Shouldn’t Have).

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Hi Jackie, thanks for agreeing to do this interview! 

Your debut novel, Truest, is coming out in just a few DAYS(!!) Do you care to talk about your publishing journey?

2013 was a whirlwind! I queried literary agents and signed with one, won the Katherine Paterson Prize for Young Adult Writing, and was offered my book deal with HarperCollins all within a period of a few months. It was exciting and rewarding and terrifying. I celebrated by having my first panic attack and getting a prescription for Ativan. (But really.)

Querying was an emotional rollercoaster. I spent months perfecting my query letter and researching literary agents who seemed like a good fit with Truest. All told, I had about a dozen agents request full or partials, and in the end, I signed with Steven Chudney, who really resonated with my characters and my writing style.

Truest is your debut novel, but it isn’t the first novel you’ve written. How did you know when to shelve your first book, and how did you know Truest was “the one”?

Back in 2012, I queried about forty literary agents and only heard back from one. It was pretty clear to me that it was time to shelve the novel I was working on and tackle something else. That first novel was written for adults; this time, I wanted to try my hand at writing for teens. The entire process felt so different. I had learned so much in the previous four years of writing that first novel, and all of it was put to use in writing Truest. I spent about six months writing a first draft, then handed the manuscript out to a couple beta readers. They and I both knew that this novel was different, that this one was going to be my debut novel.
How long did it take you to write Truest? Any idea how many revisions you went through? Any darlings you had to murder?

All told, there were over twenty drafts. I spent six months on a first draft, another year on revisions, one round of revisions with my agent, and another year on revisions with my editor at Harper. I murdered darlings like it was my job—even right up to the very last draft!

Are you a plotter or a “pantser”?

That’s a good question—and the answer differs depending on what stage I’m in. In general—and especially at the beginning of a project—I’m a pantser. I don’t know the ending when I start writing the novel. In fact, I might not even know the ending until several drafts in. But once I’m in the middle of the project, there is a lot of planning and organizing that has to be done.

See: after pantsing all the freewriting, I had to get them all in the right order. This project looks more like a plotter’s work, doesn’t it?

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But, if I had to choose only one, I’d say I’m a pantser. If I plot prior to the first draft, the project dies a sad death and I can’t find any energy in the project anymore.

I’d plotted out an entire other novel (for my next book), and once I did, I didn’t want to write it. I returned to my pantsing ways and wrote a different story.

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And then I wrote yet another one. That story will be my second novel.
How long have you been writing? 

I’ve been a storyteller my entire life. I’ve wanted to write books since second grade.

I love the sixty-nine test—where you gauge whether you’ll really like a book by flipping to its 69th page and reading it. (It is an easy number to remember.) Would you care to share yours?

“Yup,” he said. “Afraid so. You know my secret … well, one of them.”

“One of them?” I raised an eyebrow. “You don’t have any other siblings, do you?”

“I’m for real, West.” He shoved my shoulder with his own. “Let’s be good to each other.”

“Friendship doesn’t work like that, Silas. You don’t just decide to be friends.”

“I just did.”

“Well, I didn’t.”

He looked me in the eye. “My girlfriend is in Alaska, and my sister is messed up. Your boyfriend lives on a tractor, and your best friend ditched you for summer camp.”

“Hey!” His choice of words stung. “She—”

“Let’s be good to each other,” he repeated, and his eyes were so sad and serious and intense.

“Starting when?” I said, trying to mask the panic in my voice.

“Starting now.”

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What’s the best / worst writing advice you’ve ever gotten? 

Best: Write “shitty first drafts” and give yourself short assignments. Thank you, Anne Lamott.

Worst: Wait to write till you’re inspired. As Stephen King wrote, “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”
I’m sure all of your characters are your brain children, but if you had to pick a favorite, who might it be?

I adore Silas Hart, one of the characters in Truest. But I’m also enchanted by Asa Bertrand, the main character of my next novel. Rowen Lucas, Asa’s best friend and the girl he’s in love with, is a strong, artistic badass. I want to be her.

Your gorgeous blog has posts about faith and OCD. How do either of these affect your writing? Will we see these themes in Truest? In your next book?

My faith affects everything in my life, and especially my writing. God and I wrote Truest together, and God had all the best ideas.

My OCD doesn’t affect my writing in the same way, but having a nearly life-long battle with clinical anxiety has affected my writing life.

The main character in Truest—Westlin Beck—is a pastor’s daughter, and faith is a big theme throughout the novel. I think (and hope) it’s addressed in such a way that anyone can enter into the conversation though.

OCD/anxiety is something I’m tackling in my next novel, Mill City Heroes.

When my blog readers finish Truest and are anxiously awaiting your second book (working title: “Mill City Heroes”), what should they read?

Everything by Melina Marchetta.

If you could have any superhero power, what would it be?

Flying!!! Or running so fast that it’s nearly flying. I can do these things in my dreams.
Which Hogwarts house would you be sorted into?

I’m a proud Ravenclaw.

Last question. Favorite Billy Joel song. Go.

“She’s Got a Way”

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Are you an author that has been (or will soon be) traditionally published? I’d love to interview you and turn you into your own adorable 8-bit sprite! Contact me on Twitter or e-mail me: query lara at gmail dot com.

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#pg70pit—The Agents!

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More than 30 agents are excited about the pg70pit contest!

Some are “maybes” due to busy schedules—and they all have busy schedules!—so I have left them off the list, but we are still left with 22 agencies and 27 agents who have shown interest in participating on July 7th.

My summer intern Meghan (say “hi,” everyone!) has graciously linked to all of the agency websites and the agents’ Twitter accounts. Check the links to see what is on each agent’s wish list. Eventually we will include the age categories and genres for each agent, but I wanted to get you the list sooner rather than later!

*drumroll*

Alphabetical by agency:

A+B Works

Amy Jameson

The Bent Agency

Heather Flaherty

Broadland Literary

Lisa Jane Weller

Chalberg & Sussman

Natasha Alexis

Deborah Harris Agency

Rena Bunder Rossner

Dee Mura Literary

Kaylee Davis

Diana Finch Literary Agency

Diana Finch

Donadio & Olson, Inc.

Carrie Howland

Folio Literary Management

Erin Harris

Inklings Literary Agency

Whitley Abell

Jabberwocky Literary

Sam Morgan

KT Literary

Sara Megibow

L. Perkins Agency

Leon Husock

Rachel Brooks

Maria Carvainis Agency

Elizabeth Copps

Marsal Lyon Literary Agency

Kathleen Rushall

McIntosh & Otis

Christa Heschke

P.S. Literary Agency

Maria Vicente

Red Sofa Literary

Laura Zats

Bree Ogden

The Rights Factory

Lydia Moed

Sterling Lord Literistic

Caitlin McDonald

Stringer Literary Agency

Marlene Stringer

Talcott Notch Literary

Gina Panettieri

Waxman Leavell

Julie Stevenson

Fleetwood Robbins

Kirsten Carleton

Agents, if you’re not on this list and would like to be, please comment below and I will send you an email confirmation. If you ARE on this list and would like to be removed, send me a tweet (@larathelark) or comment below, and I will remove you.

Writers, am I missing someone you’d like me to ask to participate? Find me the agent’s Twitter handle or non-query email address, and I can invite them to join. Remember, we might have unlisted agents stop by to view the top entries to make requests!

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#pg70pit—The Countdown Begins!

We are less than a month away from sharing the twenty-one best 70th pages from aspiring authors!

Submission dates:
7/1 for MG audience
7/2 for YA audience
7/3 for Adult audience

Do not enter this contest if you’re not ready to send your complete manuscript to an interested agent! This contest isn’t for ego-boosting—it’s for showcasing the best new and unpublished voices we see.

This week I’ll finish going through my list asking agents if they will participate. We’ve already got a solid lineup of participating agencies!

Let’s get the party started here and on Twitter. Comment or tweet your age category and genre, and don’t forget to use BOTH #pg70pit and #contest in your tweets. For more information about the contest and how to filter spam out of the Twitter feed, see the main contest page.

Remember, this is a blind contest, so don’t give away your title, character name, or pitch on Twitter if using the hashtags!

Stay tuned for the list of agents. See you in the comments and/or on Twitter!pg70pit

April–July Pitching Opportunities 2015

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This page will be updated as I find contests without entrance fees taking place April–July 2015. This will also be my last seasonal roundup, since I’ve found other contest lists which are updated regularly: Carissa Taylor’s list of contests, updated each year; the contests hosted by Adventures in YA Publishing, open for MG–NA manuscripts; KIDLIT 411’s contests for writers and illustrators of children’s literature; and Sub It Club’s Contest Roundups.

April–July Pitching Opportunities:

  • Nest Pitch (April 1)
  • PitchSlam (April 3)
  • Query Kombat (May 22)
  • PitMad (June 4)
  • SFFpit (June 18)
  • Pitch to Publication (June 29)
  • 70pit (July 1)

Know of any others? Comment below!

Nest Pitch

For: MG-Adult

Submission Date: April 1st

Submission Package: 35-word pitch, Easter Egg question, first 300 words (see blog for specifics)

Entries: More details will be released March 23rd/24th on the Nest Pitch blog.

Winners: 40 will be chosen and mentored.

Twitter: Cheer each other on using the #NestPitch2015 hashtag.

PitchSlam

For: MG-Adult

Submission Date: April 3rd

Submission Package: 35-word pitch, first 250 words (see blog for specifics)

Entries: Unlimited within submission window

Winners: Slush readers provide feedback on the 35-word pitch (round one) and the first 250 (round two). In round three, anyone can enter, and the hosts each pick 8 entries for an agent round.

Twitter: Cheer each other on using the #PitchSlam hashtag.

Query Kombat

For: MG, YA, NA, and Adult genres, excluding erotica

Submission Date: May 22nd

Submission Package: query, first 250 words (see blog for specifics)

Entries: 200

Winners: 64 entries will be chosen to compete, bracket-style. Final four are reviewed by agents.

Twitter: Root for your favorite entries using the #QueryKombat hashtag.

#PitMad Twitter Contest

For: PB, MG, YA, NA, A

Submission Date: June 4

Submission Package: Variety of Twitter Pitches (see my guide here)

Entries: unlimited during submission window

Winners: A “favorite” from a legitimate agent or publisher is a request to query. Each agent participating will give specific instructions for submitting requested material.

Twitter: Pitch party open to all complete manuscripts

#SFFpit

For: PB, MG, YA, NA, A

Submission Date: June 18th

Submission Package: Variety of Twitter Pitches (see my guide here) including sub-genre (see that guide here)

Entries: unlimited during submission window

Winners: A “favorite” from a legitimate agent or publisher is a request to query. Each agent participating will give specific instructions for submitting requested material.

Twitter: Tweet your pitch in 140 characters or fewer on Twitter, during the submission window. Use hashtag #SFFpit and include sub-genre and age (see blog for more info).

#Pitch to Publication

For: MG–A

Submission Date: June 29th–July 3rd

Submission Package: Query, first 5 pages, personality questionnaire, 5 choices of freelance editors

Entries: unlimited during submission window

Winners: Each writer will submit to 5 freelance editors. Each editor (including me!) will choose one manuscript to critique. After the editor critiques the manuscript, it will be submitted for the agent round. Agents can reject or offer representation upon requesting full, critiqued and revised manuscripts. After the agent round, the writer has the option to participate in a small press round, in which publishers can make requests.

Twitter: Cheer each other on or ask questions using #PitchToPublication

#70pit

For: PB, MG, YA, NA, A

Submission Date: July 1st

Submission Package: code name, novel’s intended audience, 7-word character description, 70th page (see blog for more info)

Entries: unlimited

Winners: Top 7 entries from each audience category will be featured HERE, on Write Edit Repeat, for agent perusal. More hosts are possible, and I’m sure there will be giveaways. Contact me if you’d like to be a slush reader!

Twitter: We’ll have a week-long party from July 1st–7th using #70pit.