Author Chats: Interview with Katrina Leno

leno-chat

Katrina Leno’s debut novel, The Half Life of Molly Pierce, is coming out July 8th! Order it at The Book Depository, Barnes and Noble, or Amazon.

Hi Katrina, thanks for agreeing to do this interview! Most of my readers are unpublished authors, and I’m sure they’d love to hear your journey as a writer, especially through drafting, editing, and submitting. First, how did you deal with rejection?

I’ve heard so many horror stories about the publishing industry, about people trying to get books sold for years and years… But I have to say, I had the most positive, encouraging experience from the very beginning. Even my rejection letters were kind and honest and said things like “We JUST bought a book like this, otherwise we would scoop this up!” or “You are so talented and your book is great; it just isn’t right for our list for the following reasons.” I think as far as rejection goes, you just have to really understand that there are BILLIONS of people in the world. Not all of them are going to respond to your book. And that’s really okay. Read your rejection letters, though. Try and glean some wisdom. These are really smart, intelligent professionals who have taken the time to read your work. Why don’t they want to buy it / represent you? Is there something you can do better or differently next time? Use your rejection letters as a tool for your own improvement. Find the positive. And then mooooove on.

Great advice. So how did you find your agent?

I actually queried a very small handful of agents, because I get overwhelmed easily and didn’t want to put myself in a weird position—querying fifty agents and then getting them all mixed up or something. I sat down with Writer’s Market and a pad of paper and took notes on everyone that immediately stood out to me. Then I did research on their current client list and what sort of books they represented. In the end I queried a very small group of agents. I received two offers for representation, and one request for a rewrite and resubmission. I spoke to the three agents on the phone and made my decision based on how our conversations went. I am OVERJOYED with my agent. She is truly a gem. So, the takeaway here: take your time, do your research, make sure you’re querying agents that make sense for your book, and make sure you’re sending them EXACTLY what they’ve requested (the quickest way to get your query chucked into the slush pile? Sending them twenty pages of writing when they’ve only asked for ten. Seriously. Follow instructions!). It took me about two months from when I started querying until I found my agent. 

Next step: My agent then queried a small handful of publishing houses, and one by one they all said no. BUT, they all said no in the thoughtful ways I mentioned above. So the rejections really didn’t bother me, because they all made sense. I chose to look at it as a learning experience. It’s all about perspective! I could just as easily have taken to bed and spent weeks sulking as each new “no” came in. 

A good perspective to have! (I’ll try to remember that the next time I reach for the ice cream.) What was your reaction when you heard about your deal with HarperCollins?

When I finally got that “yes” from HarperCollins… My agent emailed and asked if she could call me. I was alone in the house. I took her phone call in the kitchen and as she talked, I sat on the floor. I didn’t move for ten minutes afterward. My body was in complete shock. It was the best feeling, but completely overwhelming. I’d spent so long coaching myself not to get bummed out about the rejections that I was wholly unprepared for the “yes.” But—unprepared in the best way possible. 

You mentioned on Twitter that you quit your job. What was your day job, and what are you working on now?

Oh man, I just quit my job! Every time I think about that, I feel SO HAPPY. It was the best decision. I was working as a retail manager in a really negative, caustic environment and it was stifling any sort of creative energy I was trying to access. I am EXTREMELY lucky that I am able to take a couple months off in order to re-center myself and, hopefully, write another book. Right now I’m working on a novel that’s been brewing for a number of years and has taken many different forms during that time. Maybe it goes without saying, but I LOVE writing, and I am happy it’s all I have to focus on right now. I am the best version of myself when I am maintaining a word-count-based writing schedule. (Currently: 5K words a day. This is lofty, and I don’t beat myself up if I don’t quite get there, but I damn well make a huge effort to do so.)

Five thousand words every day? Nice! How long did it take you to write The Half Life of Molly Pierce? 

My first draft of HALF LIFE took me three weeks to write. I was kind of like an author possessed. I truly worked some eight- and ten-hour days, pausing only to get lunch or refill my coffee. I was just so READY to write this novel. It burst out of me fully formed, the most cathartic experience I could have hoped for. 

halflife

Any idea how many revisions you went through? Any darlings you had to murder?

My editor, agent, and I went through, I think, four revisions? But there was never a massive overhaul, no huge rewrite. It was mostly little things, like changing a few names and reversing the last two scenes the book. I didn’t have to murder any darlings for this one! My second book, though … That’s been another story! 

How long have you been writing? 

I started writing and reading a lot when I was in grade school. When I was twelve or thirteen I asked my mom how novels are made. I was in this heavy Stephen King phase at the time, and I’d just had this earth-shattering revelation that Stephen King was a grown-up person, and he had written these novels and given them to the library (I was fuzzy on the process). I wanted to do that, too. My mom gave me TERRIBLE advice (sometimes moms are fuzzy on the process, too … she told me that there were computer programs that wrote books, now. She doesn’t remember saying this) but I was smart enough not to listen to her. I wrote my first novel about an alien entity that could jump from one body to the next, taking over consciousness for a period of time before moving on. It was called JUMPER, and it was truly horrible. But it marked the start of a journey. And I hope each thing I’ve written has gotten slightly less horrible.

I’m sure all of your characters are your brain children, but if you had to pick a favorite, who might it be?

For HALF LIFE, I really liked writing Lyle because he was so different from anyone that Molly, my MC, has so far encountered in her life. She’s surrounded by positive, supportive people, and then you have Lyle—who’s selfish, egotistical and incredibly immature. It was a challenge to make him so flawed without making the reader hate him. I mean, I want people to care that he dies (not a spoiler! He dies in the first chapter) and I want people to feel sorry for him—that he’s never able to grow up. He’s a good guy, really. He just hasn’t realized that yet. 

You have a gorgeous blog combining two of my favorite things—words and pictures. Can you share a picture of your favorite place to write?

Ohhh, thank you! My blog is so personal, I’m surprised whenever someone actually likes it. Sometimes I think I should make it more about writing or my books, but it always feels a little disingenuous when I put that sort of stuff up there. I’m not sure why! I’m trying to get over that. As far as my favorite place to write… This is where I used to write when I lived in New York. I had a studio apartment in Crown Heights in Brooklyn with these three gorgeous windows. I spent hours and hours in that grey armchair, and it was where I eventually wrote the majority of HALF LIFE (although the chair and I weren’t in Brooklyn anymore, we had moved to Connecticut). I love that chair. 

photo cred:

photo credit: Amanda Jane Shank

If you could have any superhero power, what would it be?

The ability to freeze time. It’s moving much too quickly. 

Which Hogwarts house would you be sorted into?

I think Ravenclaw, because I’m not overly adventurous and I like learning new things. And I read too much to be in Gryffindor. I don’t have time for rescuing people from giant snakes. 

Ha! Favorite Billy Joel song. Go.

To Make You Feel My Love, which was actually written by Bob Dylan but first released by Billy Joel. This has been my favorite love song since I heard Garth Brooks’ version when I was a very young, sentimental kid. I think there’s something pretty magical about unironic love songs. 

Do you have a top 3 list of books or authors, or a recommended reading list?

How about this: if I could somehow smash together the writing of Gabriel Garciá Márquez, Donald Barthelme, and Vincent Van Gogh, the ensuing novel would be the exact thing I want to write. Someday I will get there. 

leno-chat-sprite

Are you an author that has been (or will soon be) traditionally published? I’d love to interview you and turn you into your own adorable 8-bit sprite! Contact me on Twitter or e-mail me: lara willard at icloud dot com.

[free printable!] SMART Goals & Don’t Break the Chain

UPDATE: Links have been updated with a full 2015 calendar!

I don’t really do New Years resolutions in January. Sometimes I set goals for myself, but April is generally my goal-setting month because it’s the month in which I was born. Doesn’t hurt that it starts with April Fool’s Day, so if I make a completely unreasonable goal, I suppose I could change my mind on April 2nd.

Back in January I decided 2014 was THE year for me to once and for all finish the manuscript I’ve been working on. The past few months I’ve been reading up on productivity, attending time-management and goal-setting workshops for artists, and setting short term and long term goals.

There’s a difference between a goal, though, and a SMART goal.

Making SMART Goals

S-Specific

Your goal needs to be specific. “Be a better person” is a good ideal, but not a good goal. “Be a better writer” is more specific, and you can work with it, but let’s try a little harder. How about “Write a novel”? Sure. Let’s take that one.

M-Measurable

“Write a novel”–is that a measurable goal? Why yes it is! Because novels have a beginning, middle, and an end. Let’s choose a measurement so we can make the goal even more specific. “Write a 50,000-word novel.”

A-Achievable

“Be a better person” isn’t a good goal because how will you know when you’ve achieved betterment? You need a goal with an obvious finish line. Something you can cross off a list. Having a goal of writing a 50,000 novel gives you a point to work towards. In this case, the finish line is typing the 50,000th word.

For something to be achievable, it also needs to be realistic. For me, a full-time mother of two young children (who also freelances), writing a 50,000-word novel in the month of November is NOT a realistic goal. (Sorry NaNoWriMo.) But writing 50,000 words over the next few months is realistic. Especially since most of my research is done.

Helpful tip: Don’t attempt an historical novel during NaNoWriMo.

R-Relevant

A SMART goal is relevant. It is important. It is worthwhile. It is meaningful. Are you the right person for the job? Is it a good time in your life to set this goal? Do you have the support necessary to achieve the goal? For me, that means hiring a part-time nanny so that I have a couple of hours every day to devote to writing.

T-Time-bound

Making a time-bound goal means actually writing it down on your calendar and making time for it. It’s setting a deadline. And this is the kicker—it’s choosing to not procrastinate.

I never have a problem coming up with ideas or goals. I have a problem keeping with them. Which is why I’m really excited about “Don’t Break the Chain” motivation.

[free printable!] SMART Goals & Don't Break the Chain | write lara write #productivity #goals #motivation

Don’t Break the Chain

If you aren’t familiar with the concept of “Don’t Break the Chain,” you can read about its background here. It’s easier to turn something into a routine and keep doing it every day than quitting and trying to start back up again. “Don’t Break the Chain” is all about keeping up the momentum.

First, you pick something you can do every single day. Writing. Exercising. Doing the dishes. Choose something relevant. You’ll be bound by time because you have a deadline every 24 hours.

Make it measurable (Ask yourself “How much?” or “For how long?”). Make sure it’s achievable. Be specific.

Say you want to write every day. Will you write for a certain amount of time or will you have a minimum word count? Start small and manageable. It’s better to underestimate yourself than overestimate yourself. One is motivating, the other is debilitating.

If you’re writing just to journal, 300 words each day is a good minimum challenge. Or 15 or 30 minutes.

If you’re trying to put the “progress” into a “work in progress,” then shoot for five hundred, 750, or a thousand words. Or 30 minutes to 2 hours.

If you’re attempting to write a novel in 30 days, your goal will be 1,667 words each day.

Then each day you do that thing, you cross off the day on your calendar. Soon you’ll have a row of X’s. If you skip a day, you break the chain. Don’t break the chain.

Try this for a month, a season, or a year. The longer you go before breaking the chain, the easier it will be to pick up where you left off.

Free Printable Calendar

You can search for other “Don’t Break the Chain” calendars online (Here’s one). For my own, I wanted to combine the chain idea with SMART goals. I’ve got two versions for 2014. The first is an April-December one, shown in the featured photo at the top of the page. The second is a complete 2014 2015 year. That one has the conditions for a SMART goal in small print at the bottom.

Click on the thumbnails to download either one! These are for personal or classroom use only. Not for profit use. Enjoy!

chain2

April-Dec 2014

I’ve updated the SMART goals and Don’t Break the Chain calendar with a printable calendar for 2015

chain

**The image is from 2014, but the link is to the 2015 calendar.**

10 Steps to Finishing a Novel

The great thing about blogging is that you can’t hear my maniacal laughter. Oh, I’ll give you ten steps all right. Just don’t think that those ten steps will be easy or even consecutive. Think of it more as a twisted game of Chutes and Ladders. You go up a few steps, slide back down to the bottom, go up a few more steps, slide back to the bottom again. You’re basically Sisyphus.

10 Steps to Finishing Your Novel | Write Lara Write

A nicer title for this article might be:

The Creative Process for Writing a Novel

except it also includes processes that are critical, not creative, so maybe:

The Ten-Step Program for Novelists

(Titles aren’t really my thing.)

If you follow me on Facebook, you might have seen a link I posted a while ago entitled “Madman, Architect, Carpenter, Judge: Unlocking Our Personas to Get Unstuck” from Ed Batista. In it, he quotes Betty Sue Flowers and her approach for getting unstuck as a writer. Now, I’ve already posted on The Myth of Writer’s Block, but there’s a difference between being “blocked” and being paralyzed by your inner critic.

Flowers’ essay is short, and you should read it. But I’ll sum it up for you anyway. She says that we all have conflicting energies. One, the madman, is the creative energy.

The judge is the critical energy: the internal editor, the voice that says, “That was the worst thing I’ve ever read” or “You are a ridiculous hack.” It’s the impetus to hold down the delete key.

So Flowers introduces two more personas, ones to act as mediators between the madman and the judge: the architect and the carpenter.

Basically these four personas represent 1) creativity, 2) logic, 3) craft, and 4) perfection. Separating these processes and letting them each have their turn will allow your work to grow and be refined from start to finish. You can even select one day for each persona. Monday = Madman. Tuesday I’ll organize his mess. Wednesday I work on syntax, style. Thursday I polish. Friday I submit the work.

Sounds really smart, right? It is!

But let’s look at the broader picture. How can we apply those four personas to writing out a novel-length work?

Steps 1–2: Experience

10 Steps to Finishing Your Novel | Write Lara Write

Source: Hey Kids, Comics!

#1: Feed your creativity.

Read good stories. Read like a writer. Watch movies known for their storytelling (See this and this for ideas). Watch Sherlock. Listen to people talking. Eavesdrop. People watch. Go make memories. Travel. Spend time outside.

#2: Feed your knowledge.

Research. Spend time world-building. Flesh out your characters, then get to know them inside and out. Need character worksheets or exercises? I’ve got them here.

This is where many creative people stop. But to actually get things finished, you’ll need to keep moving forward.

On to the next step!

Steps 3–4: Produce

This is where the madman comes in.

10 Steps to Finishing Your Novel | Write Lara Write

Source: Fanpop

#3: Brainstorm

No idea is off limits. Try to come up with some themes, pitches, or log lines so you have a bit of direction for the next step.

#4: Create

Be wild, reckless. Imagine your inner critic bound and gagged in the corner. Unleash your inner child and play. Write a paragraph or a scene. If you are a pantser, you might even complete a first draft before the next step. Just get words down.

When you are ready to plan, whether you’ve written a sentence or a full first draft, move on

Step #5: Plan

5–6 correspond to the Architect.

10 Steps to Finishing Your Novel | Write Lara Write

Source: National Archive

Plan. Plot.

Start sketching out a roadmap. You can drive with your headlights out, sure, but it’s good to have at least some idea of a destination or what’s coming up next. This plan can be as rough or as detailed as you want it to be. Just stay flexible. Related posts:

Repeat 1-5 until you have an idea of a destination and a route to get there.

Step #6: Harvest

10 Steps to Finishing Your Novel | Write Lara Write

Source: Smashing Picture

Curate. Organize.

Gather what you’ve generated. Organize it. Be selective with what you keep. Cut, rearrange, paste.

Repeat 1-6 until you have a complete manuscript. Celebrate. Then take a break to read a book or two about writing. Spend some time here on the blog. Ask questions

Step #7: Critique

7–8 correspond to the Carpenter

10 Steps to Finishing Your Novel | Write Lara Write

Source: National Galleries Scotland

NOW is the time to start critiquing. Look for lazy writing. Find cliches. Read out loud. Underline wordy or clunky writing. Use a highlighter, not a pen. This is a time to find problems, not fix them. If you try to fix everything now, you’ll overwhelm yourself!

Take a break. Read poetry, go for a walk, go on vacation. Give your ego some time to recover. Compile a list of people who might want to Beta Read for you.

Step #8: Progress

10 Steps to Finishing Your Novel | Write Lara Write

Refine: Library of Congress

8a: Rewrite

Take a scene or a chapter at a time. Look over critiques, then fix them. Be a writer. Be creative, be original. Fresh language. Specific details. Show, don’t tell.

8b: Proof

Inspect your writing for grammatical or logical errors. You can do this at the same time as #8a, but realize that one is about creating, and one is about judging. They are like twins with different personalities. You can take them as a set or separately.

10 Steps to Finishing Your Novel | Write Lara Write

Twins: Design for Mankind

Write, critique, refine, proof your query letter if you’re looking for agent representation. 

Step #9: Invite

10 Steps to Finishing Your Novel | Write Lara Write

Source: Australian War Memorial

Give your new draft to other readers. Listen to their feedback. Decide if you agree with them.

While you’re waiting for their feedback, read QueryShark. Refine your query letter.

Repeat 8 and 9 until you feel ready to submit or send your work to a professional. Note that if you already have an agent or editor, you’d likely submit your work to them very early on.

Step #10: Post

10 Steps to Finishing Your Novel | Write Lara Write

Source: Smithsonian Apparently people mailed actual children via post. Seriously.

10a: Hire

Send your query letter and sample to a freelance editor for professional feedback. Alternatively, you could send your query to a critique group or published author friend. Consider anyone’s feedback critically, but also understand that sometimes your gut reaction is more of a defense mechanism. Don’t accept or reject changes without considering each one.

If self-publishing, you take on the financial risks of publishing rather than a publishing house or small press. Ideally you will hire at least one copy editor or line editor and one proofreader. I’ve seen multiple editors and proofreaders still miss typos!

Repeat 8.

10b: Query

If you are looking for representation, send your query letter to agents.

If no one requests a complete manuscript, repeat 8-10 until somebody does. A published writer is a writer who doesn’t give up. 

Nobody promised you a rose garden. This is a long, hard road. You will sacrifice much. But at the end, you will have learned and achieved much.

Then: Representation!

You did it! Plan on plenty more writing, rewriting, and marketing in the months and years following representation as your agent submits your book to publishers.

Summary:

  1. Feed your creativity by experiencing life.
  2. Feed your knowledge gaining experience. Research facts. Fabricate the rest.
  3. Brainstorm like a mad scientist.
  4. Create with wild abandon. Repeat 1–4.
  5. Plan. Repeat 1–5 until you have a destination, an ending, a THEME.
  6. Curate, cut, and paste. Repeat 1–6 until you have a complete manuscript.
  7. NOW you can take the gag out of your internal editor’s mouth. Critique. Then take a vacation.
  8. Refine, fix, rewrite. Unleash the literary genius. Live up to your potential.
  9. Invite others to read your new draft. Welcome feedback. Write your query and summary. Repeat 8.
  10. Send your stuff to the professionals. Repeat 8–10 until you get representation.

An even briefer summary:

10 Steps to Finishing Your Novel | Write Lara Write

——————-

Note: My husband, a Captain in the Marine Corps (now Reserves), says he only needs 6 steps to accomplish anything: BAMCIS. I can see that being adapted for novel writing. Once he finishes a novel, I’ll let him write a guest post about it.

Crafting Chapter One: Resources for Writers

Chapter1title

Chapter One. It’s what gets agents to represent your book, it’s what gets publishers to publish your book, and it’s what gets readers to read your book. First impressions are everything! So here’s a list of resources for you when writing, workshopping, critiquing, editing, or rewriting the beginning of your novel.

The 8 C’s of Plotting: Prologue, Opening, Captivation, Change

Part of my series on plot and story structure, this post focuses on the beginning.

Subjects: the Inciting Incident (“Change”), Rooting Interests, Prologues, Opening Lines, Nine Ways to Start a Novel

WATCH, or: Where to Start and End your Novel

This post explains the acronym WATCH, asks what kind of novel you’re writing, and then teaches four different methods of where/how to begin and end your novel.

Subjects: Genre, World Building, Character Introductions

QUIZ: How should you start your novel?

A companion post to “WATCH,” this quiz will help you choose a direction when writing your beginning.

What NOT to Do When Beginning Your Novel: Advice from Literary Agents

Self explanatory!

Famous First Lines Reveal How to Start a Novel

Seventeen opening lines and seven methods of writing your own

10 Ways to Start Your Story Better

Ten more methods for writing your opening line

How to Start Your Novel: What The Movie TRUE LIES Taught Me

Compare this to method #4 of “10 Ways to Start Your Story Better” for a different opinion regarding “inside-out” versus “outside-in” beginnings

Books

I’m currently working through Bill Idelson’s Writing Class, which I highly recommend for any storyteller. It is very straightforward and highly approachable. If you read it one chapter at a time and do the assignments without skipping ahead, you WILL become a better writer. In this curriculum, Bill gives the secret to storytelling:

What makes a story? 1) A character, 2) a desire or goal, and 3) an obstacle. Introduce all three elements at the beginning. If you haven’t introduced them all at the beginning of your story, you’re starting your story at the wrong place. 

Read more about character + obstacle + goal in my post here.

Final Note

Want your first chapter edited by me? Fill out a quote request here and select “substantive edit” to get a sample line edit of your first 1,000 words. Then check out my special rates for the first 10 pages and 10,000 words.

A list of resources for writing & rewriting your first chapter | Write Lara Write #editing #resources #novel