Why You Should Write & Submit Short Works

Pssssst: It’s my birthday today! Usually I wouldn’t advertise that, but it’s my 30th, so yeah, I’m going to unapologetically ask you to check out the Kickstarter project I’m involved in.

Contents:

The Importance of Writing Short Pieces

Back in 2017, novelist and screenwriter Tim Federle, asked, “Writers who’ve been at it a while, what’s one piece of craft advice you wish your younger self had known?”

This was my answer, based on my experience and the decades’ experience of my editing clients:

Write (and finish!) more short works before attempting that three-volume novel or ten-year comic. Advice teaches you how others write, but each new story you write teaches you how to solve problems with your unique brain.

If your current WIP (work in progress) is long-form fiction or essays or a book-length project, you could go months before finishing something. Writing something shorter can grant that feeling of accomplishment so many of our brains depend on to keep motivation up.

In “The Psychology of Checklists: Why Setting Small Goals Motivates Us to Accomplish Bigger Things,” Trello blogger Lauren Marchese says:

When we experience even small amounts of success, our brains release dopamine, which is connected to feelings of pleasure, learning and motivation. When we feel the effects of dopamine, we’re eager to repeat the actions that resulted in success in the first place. Neuroscientists refer to this as “self-directed learning.” This is why achieving small goals is such an effective way to stay motivated during long-term projects and processes.

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Write a draft you can finish in a day or week: flash fiction, a short script for a comic or skit, a poem, an outline of a picture book. A fifteen-blinker—300-800 maximum words for prose, fewer than 30 lines for poetry.

If you’re between projects or stuck on one, if you’re feeling uninspired or pressed for time, write something short. Something completely different from what you are currently writing on. Let the madman loose and write without rules. Don’t edit, don’t revise, just finish the thing.

And OK, once you’ve finished the thing, and if you’re not on deadline for something else, revise that work and submit to contests, anthologies, or magazines. Shorter works are quicker to revise, so you can submit more frequently, which gives you a better chance of getting published (that is, if you keep improving as a writer and aren’t a jerk to the publishing community…).

Sure, you might get a bunch of “No”s, but rejections hurt less for works you didn’t invest as many months into.

And any “yes” is an upvote for your skill as a writer and an addition to your writer bio.

So how do you submit, anyway?

Submitting to Literary Magazines and Journals

Before you ever sign a contract, I recommend having a lawyer look over the terms. If you can’t afford a lawyer, research the terms and any person or entity involved in the contract before signing your name.

Submitting to a literary journal or nonprofit press is not the same as submitting to a commercial publisher. They want different things. A commercial publisher wants a query letter that will help them gauge whether you or your work will sell to a commercial audience. (That isn’t to say they don’t want good writing or that they won’t accept quiet works from unknown writers!) Still, query letters have to market your writing.

A cover letter for a journal or nonprofit press should include how your work will fit in with their oeuvre of published work. Literary journal and nonprofit press editors often skim or skip the cover letter—they care more about the story and voice than the pitch or concept. However, no matter how excellent your work is, it still has to fit within their brand. Your Hugo-worthy political fantasy will get rejected by Stymie, a literary magazine focused on sports.

Find literary magazines and journals to submit through Poets & Writers search or Writers Market. The latter requires a subscription. One year is the best deal, but you can pay $6 for one month and then cancel. You can order the physical book online for half price or pick up a copy of the book at a bookstore. Your local library may have a free copy of Writer’s Market to borrow, but it might be out of date.

Always check online to see if the submission information is accurate and to see if the magazine or journal has specific requirements for their cover letter.

Submitting Comics to Anthologies

Before you ever sign a contract, I recommend having a lawyer look over the terms. If you can’t afford a lawyer, research the terms and any person or entity involved in the contract before signing your name.

If you are part of a comics community, you might catch word of anthologies and open submissions through your network. Otherwise check out Find Anthologies! on Twitter.

Each anthology will have their own submission requirements. Most likely, if you aren’t illustrating your own work, you will need to have an illustrator up front. Together you will create a proposal with a cover letter, pitch, and sample pages or character designs.

Group Chat, a Comics Anthology about Friendship, Is Now Live on Kickstarter!

This whole blog post comes from personal experience. I frequently need to feel like I’ve finished something tangible, or else I get discouraged.

While working on long pieces, I often need to distract myself, especially when I’m feeling stuck or uninspired, by writing something short. I’ll write poetry, picture books, and short comics.

Well, one of those short comics is being published in an anthology!

Read the description below. Emphasis mine, because that’s the comic I wrote!

Group Chat features 24 up-and-coming creators, all telling stories about the people who have your back no matter what.
Group Chat spans genres from sci-fi to slice-of-life; from westerns to witchy shenanigans to coming-of-age stories. These comics —feeling good about your body after a mastectomy, two friends supporting each other through the creation of a trans fashion line, learning to appreciate your best friend’s chucklehead boyfriend, and others—were carefully chosen for their humor, heart, and beauty from a wide range of up-and-coming creators.

See the project on Kickstarter. If you watch the project video, “Best Dressed” is featured at 1:45. You can catch an additional sneak peak on Twitter or in my @veritylane Instagram Stories (Stories only available on mobile).

“Best Dressed” is a feel-good comic about dressing-room anxiety.

Want to read the original comic script?

Pledge at least $10 to the Kickstarter (the price for a digital copy of the whole anthology, 200+ pages) and email the pledge confirmation to querylara (at) gmail (.)com.

Julia Hutchinson is an illustrator and comics artist whom I follow on Twitter. She was looking to collaborate on a couple anthology submissions, and I sent her my idea for a comic for Group Chat. When I needed inspiration while writing the comic, I looked to the Leslie Knope / Ann Perkins friendship from Parks and Recreation and Julia’s previous artwork to solidify the characters. I wrote the skeleton, but Julia’s art brought my script to life with muscles and skin and spirit. She’s awesome, and I’m really proud of the comic we made together!

 

Don’t Write Comics (How to Write Comics)

In this four-part series of articles on LitReactor, you’ll hear from Kelly Thompson, Kickstarter crowdfunding author legend and the writer behind Heart In A Box (Dark Horse Comics, 2015). Kelly also writes Hawkeye, Phasma, Star Wars, Ghostbusters, A-Force, Jem & The Holograms, Misfits, Power Rangers: Pink, and Mega Princess, a creator-owned middle grade comic book series.

hawkeye-kate-bishop-by-kelly-thompson

Thompson’s Hawkeye is pitched as Veronica Mars meets superheroes. Shop Volume One from a local indie bookseller at IndieBound

Don’t Write Comics: How to Write Comics Part One

If you’re interested in comics solely because you think it might be easy or that it might be a shortcut to another end (like having a movie made of your comic) let me just stop you right here and point you towards the exit.  While it’s true that some screenplays get reverse engineered into comics, and then after being successful comics are turned into successful films (30 Days of Night springs to mind), there’s nothing “quick and easy” about making comics. In fact, if you’re not well connected to artists (and possibly some publishers) and/or willing to lay out your own money upfront in some cases, then it can be the very opposite of quick and easy. In order to make good comics, I truly believe you have to already love comics. It’s the love that’s going to get you through.

Identify What You’re Writing
Read, Read, Read
Getting Professional Help


Part Two

So, against all my advice last time, you’re still planning to write a comic book series, huh?  And you’ve done all your research as detailed in Part I, right?

All right then, let’s talk about what you need to pull together in order to pitch the project to publishing houses.  

What You’ll Need
Specifications
The Script [Also check out my (Lara’s) post on Formatting a Graphic Novel]
Stumbling Blocks
Accepting Reality


Part Three

Now comes the hard part. Because now you have to find someone way more talented than yourself to invest emotionally, mentally, and physically in your project.

And if you want the really good art, you’re probably going to have to pay for it. 

Paying Is Key
Sequential Pages Are King
Where to Look
‘The Right’ Artist


Part Four

I always recommend using an agreement, whether you are strangers or best friends, because no matter how well-intentioned everyone is at the outset it never hurts to have clarity between all parties, and a clarity that is written down, dated, and signed, is best.

Agreements
Collaboration

70pit16—What Next?

The entry windows for this year’s #pg70pit (#70pit16) have closed, and slushies are reading and scoring entries through July 5th.

Each entry has at least four readers, judging on a scale of 1 (needs work) to 3 (I want to read more!). The cohosts and I will look our 2.5 and 3 scores and from those, choose the entries with the highest average scoring entries to feature on our blogs.

So what should you do now?

  1. Join the Twitter Party
  2. Get your query letter ready
  3. Check the Top Hits playlist to see if your entry got a vote of confidence from a slushie.
  4. If you didn’t make the playlist…
  5. If you did make the playlist…
  6. If your entry wins…
  7. If you get an agent request…

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