Want to be a slush reader for #70pit16?

Here’s my open call for pg70pit slushies!

#pg70pit is a unique contest in that entries are selected by voice alone. While other contests are better suited for commercial fiction which hooks by the first page, #pg70pit is a contest intending to highlight strong, diverse, or “quiet” voices.

If you think you’ve got the writing and revision chops to be a slushie, read on!

pg70pit writing contest logo

Remember: the contest itself is open to any writer with a complete and polished novel-length work, for age categories MG–Adult.

Constest slushies, however, must have either:

  • a writing/English/literature major or minor (must have completed at least 3 years of study), or
  • a book deal with a nationally recognized publisher*

*Acceptable publishers:

Why these rules? We need slushies who can recognize a strong literary voice, and I don’t have time to vet everyone personally. There are so many excellent pitching contests for commercial fiction; I wanted to offer a pitching contest for quieter stories. #pg70pit is the result.

Reading the slush is a volunteer position. Entries come in July 1 for MG, July 2 for YA, and July 3 for Adult. All entries must be read and judged by July 5th at 7pm EDT. I estimate that each slushie will be assigned fewer than 60 entries (60 pages).

By hitting “submit,” you recognize that this is a blind contest—you pledge to not enter this contest yourself in 2016, and you pledge to pass any entries you recognize onto another slushie.

May 7th on 7th

 

For 7th on 7th, I take a blog subscriber’s seventh page and show you how I’d improve it for the upcoming #pg70pit contest. See the #70pit16 contest schedule here.

7th on 7th

THE ORIGINAL PAGE

– his musculature hugging them. He could be a model for the cover of GQ or Men’s Health. I felt my eyelashes fluttering involuntarily – was I batting my eyes flirtatiously, or just trying to focus? And then our eyes met…and locked. I could have sworn his eyes changed colors like a mood ring. It felt like we had gone through eternity together. I felt the strongest connection between this stranger (and yet not a stranger) and me. Then he lowered his eyes quickly and stated, “Walking and texting can kill you. I apologize. It’s just dangerous…you could’ve run into that door,” he smirked.

Continue reading

Using Spreadsheets to Track Your Revision

I use spreadsheets to track my editing progress as I work my way through a manuscript. It shows me very clearly how much progress I’ve made and how much left I still have to do.

I tweaked the spreadsheet I created for myself to make it into a template anyone can use (in theory—let me know if you’re unable to save a copy for yourself!).

Here’s the spreadsheet in Google Sheets. Go to File > Save a Copy to save and modify your own.

 

(The Google Sheets version also has formulae if you don’t want to work chronologically!)

Spreadsheet tracking revision or editing progress

If that doesn’t work, I’ll walk you through the steps to make your own.

First open up a new spreadsheet and include the column headers (Project, Project Name) and row headers (Total Pages, # Complete, Section 1, 2, etc.) as seen above. If you have more than one project, create more rows for that.

Each project is three columns, with its first two rows each merged into one cell, which is why Project Name and the number of total pages are both centered. So merge B1+C1+D1 into one cell and repeat for B2+C2+D2.

Then in B2, enter the total number of pages for your project. In this example, I’ll use 300 since it’s a nice round number.

total number of pages to revise or edit

I filled B3 with a dark gray and turned the text white to remind me that when this template is all set up, that’s the only cell I need to update. I also set C3 and D3 with bold text and a very light gray fill, to set that progress apart as the total progress.

Decide how many sections you want to divide your project into. We’ll do three for this example, but you can add as many as you’d like.

Find the page number that Section 1 ends on. That’s the number you’ll put into B4. For example, if Section 2 starts on page 109, then Section 1 ends on 108, so enter 108 here.

Repeat for the remaining sections. Your last section (Section 3, or B6 here) should have the same number as your total pages (B2).

The total percentage completed (C3) is easy enough: it’s the number complete divided by the total number of pages. So in C3, enter

=B3/B2

This is where the formulae get a little tricky. We want to make sure that the numbers in column C stay between 0% and 100%.

The percentage finished in section 1 (C4) is the number of pages complete divided by the total pages, maxing out at 100%. So in C4, enter

=MIN(B3/B4,1)

The percentage finished in section 2 (C5) is the number of pages complete (B3), minus the number of pages in Section 1 (B4) divided by the total pages (B2), with a minimum of 0% and maxing out at 100%. So in C5, enter

=MAX(MIN((B$3B4)/(B5B4),1),0)

(Yeah, I definitely had to do some digging to figure that one out!)

For C6, you can copy and paste C5. Thanks to the trick Leigh suggested in the comments (adding the $), that first cell will stay B3 even when you copy and paste.

You can continue copying and pasting, but make sure that the formulae in the percentage column always start with the total number of pages. In my template, those cells are shaded dark gray.

Now for column D, the bar graphs. This is something else I had to look up and modify to fit my needs.

All we’re doing is taking the percentages in column C and turning them into graphs, with one vertical line (shift + the key under “backspace” or “delete”). We want 1 line for each 5%.

editing or revision progress graph with spreadsheet

Start with D3:

=REPT(“|”,(C3*20))

Then copy and paste down the column. The C3 will adapt for each cell, changing to C4, C5, etc.

One last thing: quickly enter the total number of pages into B3 so you can see how much 100% is, then rescale the D column to fit. Otherwise 100% won’t look like 100% 🙂

If you save a copy of the template I created, you can copy and paste the H–J columns to create more projects.

Now that you’ve got your spreadsheet all set up, update B3 with how many pages you’ve completed, and watch the bars fill up!

 

xo Lara

How Improv Can Improve Your Writing

Wednesday on the MS Editors blog, I applied Tina Fey’s rules of improv to writing first drafts. Check it out!

You can't be that kid standing at the top of the water slide overthinking it. You have to go down the chute_Tina Fey

MS Editors

I’ve mentioned before (in 7 Tips for Writing Realistic Dialogue) that trying improv (the art of performed improvisation) can improve your writing.

Well, currently I’m reading Bossypants by Tina Fey, and in it she gives the rules of improv and describes how these rules have changed her life. The rules are as follows:

  1. Say “YES”
  2. Say “YES, AND…”
  3. Make statements
  4. There are no mistakes, only opportunities

Applying these rules to your writing will help you soldier through a crummy first draft by shutting up your internal editor. The trick is to improv against yourself.

Say “YES”

Stop arguing with yourself and start writing. Stop saying you can’t do it, or it’s too hard, or you need to learn more before you can start. Just start. Your improv partner (you) might be crazy, but go with it. In fact, craziness usually translates into energy, so embrace the crazy and hammer out that…

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