Tips and Tricks for Writing Successful Twitter Pitches

#PitMad is this week. I wrote this post in 2014, and it’s been so cool seeing these practices put to work in Twitter pitches over the last four years.
Some things have changed (like rules and the character limit), but other things are still the same. One thing I did have to include for 2018 was an addendum to the part about vampires… ha!

Lara Willard

Or, general tips and tricks for pitching on Twitter, and how pitching SFF is different from pitching other genres.

twitch

This is going to be a long one, folks. Skip around as needed!

Update from PitchMAS—when pitching in a general pitch party, your hashtags matter so much more. Make it easy for an agent to find you, or they never will. I tried searching for different genres during the party so I could retweet—I couldn’t find them because people weren’t using effective search terms. Use age category tags and genre tags, plus relevant keywords (like “diverse” or “WNDB”—see my notes on references below). Looking at my winning pitches from PitchMAS, hashtags and keywords mattered most, then other references, then stakes.

Contents

  1. Well-Known Twitter Pitch Events
  2. Tips for Pitching on Twitter
  3. The Importance of Hashtags
  4. After the Pitch Party
  5. My Personal SFFpit Results
  6. Analysis of my Personal SFFpit Results
    1. Analysis of Timing
    2. Analysis of…

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Commercial and Literary Fiction as Paintings

I’ve written at length about differences between literary and commercial fiction (including different genres and what “mainstream” fiction is), but reading Bone Gap this month while also studying Frida Kahlo has got me thinking in allusions, so I wanted to share another quick observation on the topic.

Commercial fiction is like representational art: whether it’s about something true or not, it’s clear what the subject of the painting or story is.

Images in this post may be copyrighted and are used for educational purposes only.

Above: Moroccan Man by José Tapiro y Baro, 1913; Takiyasha the Witch and the Skeleton Spectre by Utagawa Kuniyoshi, 1847; Self-portrait at the Dressing Table by Zinaida Serebriakova, 1909; Rebecca et Eliézer by Alexandre Cabanel, 1883

Literary fiction can be more like impressionist, expressionist, surrealist, or abstract art—less accessible because the subject isn’t always clear, and the presentation isn’t always appreciated.

Symbolism holds more weight in literary fiction.

Literary fiction holds cultural literacy dear, alluding to classic literature and ancient mythology.

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Penelope by Carlo Carrà, 1917

Literary fiction is more likely to experiment with mixed media, incorporating poetry, illustrations, comics, letters, or other ephemera.

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Bed by Robert Rauschenberg, 1955

Words in literary fiction are like visible brushstrokes, sometimes drawing attention away from the story and towards the writer as artist. Word choice is important: how can you combine words in a fresh way to create new impressions on the reader? What connotations do the words carry? Literary fiction is imbued with tone created not by line or color but by diction and metaphor.

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The Cyclops by Odilon Redon, 1914

Do you have a favorite modern artist? What is your favorite work of literary fiction?

English Word Origins

I meant to send out a cutesy announcement that I’ve been accepted into Hamline University’s MFA in Writing for Children and Young Adults, but this week has been incredibly busy. Tonight is my pre-orientation, and I’m thrilled to be joining this program!

I still plan on posting to the blog rarely—quality over quantity—but I also hope to resurrect my weekly (or bi-weekly) newsletter, which you can subscribe to in the footer on my website.

Until then, here’s an old post I recently remembered about word origins. Click through to the original study for an interactive look at the inherent etymology of five different passages: American lit, British lit, legal, medicine, and sports. And check out my Anglo-Saxon Diction post for an exercise in word choice.

Do you have plans for the summer? What are your writing goals for the next couple of months? If I can help you achieve them in some way—comment or reply!

❤ Lara

Lara Willard

I’m a visual person, so I appreciate graphs, especially color coded ones! But I’m also a design person, so color schemes get to me. While their color scheme makes me shudder a bit, I am digging this visual representation of English word origins!

Read the original study here. If you hover over the highlighted words, you can see the origin of the word. Click a word, and you’ll be taken to its entry in the etymology dictionary. Pretty nifty stuff!

Interested in English word origins? Did you know that Old English (that big pink chunk of the pie) has Germanic roots? Be sure to read my post on Anglo-Saxon versus Latinate Diction.

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Why You Should Write & Submit Short Works

Pssssst: It’s my birthday today! Usually I wouldn’t advertise that, but it’s my 30th, so yeah, I’m going to unapologetically ask you to check out the Kickstarter project I’m involved in.

Contents:

The Importance of Writing Short Pieces

Back in 2017, novelist and screenwriter Tim Federle, asked, “Writers who’ve been at it a while, what’s one piece of craft advice you wish your younger self had known?”

This was my answer, based on my experience and the decades’ experience of my editing clients:

Write (and finish!) more short works before attempting that three-volume novel or ten-year comic. Advice teaches you how others write, but each new story you write teaches you how to solve problems with your unique brain.

If your current WIP (work in progress) is long-form fiction or essays or a book-length project, you could go months before finishing something. Writing something shorter can grant that feeling of accomplishment so many of our brains depend on to keep motivation up.

In “The Psychology of Checklists: Why Setting Small Goals Motivates Us to Accomplish Bigger Things,” Trello blogger Lauren Marchese says:

When we experience even small amounts of success, our brains release dopamine, which is connected to feelings of pleasure, learning and motivation. When we feel the effects of dopamine, we’re eager to repeat the actions that resulted in success in the first place. Neuroscientists refer to this as “self-directed learning.” This is why achieving small goals is such an effective way to stay motivated during long-term projects and processes.

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Write a draft you can finish in a day or week: flash fiction, a short script for a comic or skit, a poem, an outline of a picture book. A fifteen-blinker—300-800 maximum words for prose, fewer than 30 lines for poetry.

If you’re between projects or stuck on one, if you’re feeling uninspired or pressed for time, write something short. Something completely different from what you are currently writing on. Let the madman loose and write without rules. Don’t edit, don’t revise, just finish the thing.

And OK, once you’ve finished the thing, and if you’re not on deadline for something else, revise that work and submit to contests, anthologies, or magazines. Shorter works are quicker to revise, so you can submit more frequently, which gives you a better chance of getting published (that is, if you keep improving as a writer and aren’t a jerk to the publishing community…).

Sure, you might get a bunch of “No”s, but rejections hurt less for works you didn’t invest as many months into.

And any “yes” is an upvote for your skill as a writer and an addition to your writer bio.

So how do you submit, anyway?

Submitting to Literary Magazines and Journals

Before you ever sign a contract, I recommend having a lawyer look over the terms. If you can’t afford a lawyer, research the terms and any person or entity involved in the contract before signing your name.

Submitting to a literary journal or nonprofit press is not the same as submitting to a commercial publisher. They want different things. A commercial publisher wants a query letter that will help them gauge whether you or your work will sell to a commercial audience. (That isn’t to say they don’t want good writing or that they won’t accept quiet works from unknown writers!) Still, query letters have to market your writing.

A cover letter for a journal or nonprofit press should include how your work will fit in with their oeuvre of published work. Literary journal and nonprofit press editors often skim or skip the cover letter—they care more about the story and voice than the pitch or concept. However, no matter how excellent your work is, it still has to fit within their brand. Your Hugo-worthy political fantasy will get rejected by Stymie, a literary magazine focused on sports.

Find literary magazines and journals to submit through Poets & Writers search or Writers Market. The latter requires a subscription. One year is the best deal, but you can pay $6 for one month and then cancel. You can order the physical book online for half price or pick up a copy of the book at a bookstore. Your local library may have a free copy of Writer’s Market to borrow, but it might be out of date.

Always check online to see if the submission information is accurate and to see if the magazine or journal has specific requirements for their cover letter.

Submitting Comics to Anthologies

Before you ever sign a contract, I recommend having a lawyer look over the terms. If you can’t afford a lawyer, research the terms and any person or entity involved in the contract before signing your name.

If you are part of a comics community, you might catch word of anthologies and open submissions through your network. Otherwise check out Find Anthologies! on Twitter.

Each anthology will have their own submission requirements. Most likely, if you aren’t illustrating your own work, you will need to have an illustrator up front. Together you will create a proposal with a cover letter, pitch, and sample pages or character designs.

Group Chat, a Comics Anthology about Friendship, Is Now Live on Kickstarter!

This whole blog post comes from personal experience. I frequently need to feel like I’ve finished something tangible, or else I get discouraged.

While working on long pieces, I often need to distract myself, especially when I’m feeling stuck or uninspired, by writing something short. I’ll write poetry, picture books, and short comics.

Well, one of those short comics is being published in an anthology!

Read the description below. Emphasis mine, because that’s the comic I wrote!

Group Chat features 24 up-and-coming creators, all telling stories about the people who have your back no matter what.
Group Chat spans genres from sci-fi to slice-of-life; from westerns to witchy shenanigans to coming-of-age stories. These comics —feeling good about your body after a mastectomy, two friends supporting each other through the creation of a trans fashion line, learning to appreciate your best friend’s chucklehead boyfriend, and others—were carefully chosen for their humor, heart, and beauty from a wide range of up-and-coming creators.

See the project on Kickstarter. If you watch the project video, “Best Dressed” is featured at 1:45. You can catch an additional sneak peak on Twitter or in my @larathelark Instagram Stories (Stories only available on mobile).

“Best Dressed” is a feel-good comic about dressing-room anxiety.

Want to read the original comic script?

Pledge at least $10 to the Kickstarter (the price for a digital copy of the whole anthology, 200+ pages) and email the pledge confirmation to querylara (at) gmail (.)com.

Julia Hutchinson is an illustrator and comics artist whom I follow on Twitter. She was looking to collaborate on a couple anthology submissions, and I sent her my idea for a comic for Group Chat. When I needed inspiration while writing the comic, I looked to the Leslie Knope / Ann Perkins friendship from Parks and Recreation and Julia’s previous artwork to solidify the characters. I wrote the skeleton, but Julia’s art brought my script to life with muscles and skin and spirit. She’s awesome, and I’m really proud of the comic we made together!